​Some of Gina Marie’s most recent engagements include joining Emmanuel Music in their weekly Cantata Series and yearly concert programs, participating as a soloist at the Portland Bach Experience, and collaborating with pianist Clémentine Dubost to bring exciting, varied recitals to the Middlebury College School of French.

Regularly performing and touring with The Pandora Consort, Gina Marie and colleagues Kendra Comstock and Angie Tyler are champions of music by Hildegard von Bingen. In October of 2025, the trio were in residence at In Situ Polyculture and recorded their debut album, Hildegard Reanimated: Vision in Vision, at Epsilon Spires. The album will be released in 2026. The ensemble has been featured by organizations and series such as Pegasus Early Music/New York State Baroque, Salon avec moi, Otter Creek Music Festival, Vermont Public Classical, SoHIP Boston, the Saint James World & Early Music Series, and King’s Chapel Concert Series. Concerts scheduled with GEMS and Nightingale Vocal Ensemble await in the 2025-2026 season, as well as the premiere of Pandora’s original folk opera, The Fire Within Her.

Gina Marie’s love of new music is at the forefront of her budding career. She continues her collaboration with contemporary composers, premiering their works in both chamber and solo settings; most recently with Nightingale Vocal Ensemble, Emmanuel Music, DREAMGLOW, and collaborator John Secunde. 

Gina Marie and John’s duo, Saint Boneface, dedicates itself to fusing indie aesthetics with classical repertoire. Their award-winning covers of Debussy’s Green and Hildegard von Bingen’s Karitas can be heard below.

Gina Marie received an MM in Vocal Performance from the Longy School of Music and a BM in Vocal Performance from East Carolina University. In addition to performing, Gina Marie teaches French language and diction courses to undergraduate and graduate students at the Longy School of Music and New England Conservatory.